Go Pro 11 Mini Product Video Using Seedance 2.5

Create a 16.67-second vertical 9:16 ultra-premium photorealistic CGI action-camera product film using the uploaded/reference GoPro HERO11 Black Mini as the strict hero-product reference. Preserve the exact compact rounded-square camera body, front square lens housing, concentric lens glass, front button geometry, blue GoPro branding, cyan/blue “11 BLACK MINI” side branding, top monochrome status display, top shutter button with orange/red ring, indicator light, side panel geometry, speaker/microphone openings, rear cooling and heat-sink fin structure, integrated folding mounting fingers, screw openings, panel seams, surface finish, dimensions and every visible product proportion throughout every shot; never redesign, recolor, stretch, simplify, add a front screen, invent controls or change any hardware. Render at 30 fps using a virtual full-frame product camera with approximately 70–145 mm equivalent focal lengths, 1/60 s shutter, ISO 100–200, 5000–5400 K white balance and f/5.6–f/8, subtle physically correct motion blur and perfectly controlled robotic movement. Use a near-pure black seamless studio with no visible environment and construct the entire product using narrow silver-white grazing strip lights, thin rim highlights, extremely restrained front fill and strong negative fill, preserving only authentic blue/cyan branding and orange/red button accents. From 0–3 s, begin with the complete action camera almost invisible in darkness in a front-biased three-quarter orientation, using approximately 80–95 mm at f/6.3 while a tiny clockwise floating rotation and gentle push gradually allow narrow white highlights to reveal the body edges, lens housing, front button and blue GoPro branding; increase illumination slowly so the product progresses from a nearly black silhouette into a clearly readable three-quarter hero while the background remains pure black. From 3–4.9 s, transition directly into a precision exploded mechanical animation without a flashy conventional cut: separate the front/lens housing, central structural elements, branded side/body sections and other visible housing layers along one clean diagonal mechanical axis extending approximately upper-left to lower-right, using approximately 70–85 mm at f/7.1–f/8, keeping every part aligned, evenly spaced and consistently scaled while the camera remains almost fixed with only a tiny orbit for parallax; narrow white grazing lights should outline every separated component. Reach maximum separation around the middle-to-late part of the shot, then smoothly accelerate all pieces back together and reassemble the exact camera using controlled directional rotational motion blur around 4.7–4.9 s, with zero wobble, random spinning, clipping or collisions. From 4.9–6.17 s, briefly show the intact camera small and centered, then perform a smooth rapid push and rotation into a close low three-quarter side view where the cyan/blue “11 BLACK MINI” branding dominates the side panel; switch toward approximately 105–120 mm and maintain the lens edge near upper-left and mount/bottom geometry near the lower frame while gradually slowing the motion into a controlled macro hold. Around 6.17 s, use a short directional rotational blur to transition into the top control area. From 6.17–7.5 s, show a 110–130 mm macro of the top monochrome status display, indicator light, top shutter button with orange/red ring and upper rear heat-sink texture, using a shallow top three-quarter angle with a small forward/diagonal slider movement and shallow controlled depth of field. Around 7.5 s, rotate through another smooth directional blur into the lens. From 7.5–8.7 s, use a 120–145 mm extreme macro focused almost frontally on the square lens housing and concentric lens elements, performing an ultra-slow dolly-in once the transition settles while narrow reflections glide across the front optics and body edges without changing the lens geometry. Around 8.7–9 s, shift via controlled rotational motion blur to a three-quarter rear/side product angle. From 9–10.8 s, use approximately 80–95 mm at f/6.3–f/8 to show the complete camera floating in zero gravity from the rear/side, emphasizing the broad side panel, body thickness, cooling construction and integrated mounting fingers beneath it; use only a slow clockwise orbit and micro dolly-in while narrow white edge lights trace the outer shape and the main body remains deep black. Around 10.8 s, rotate smoothly through motion blur into an extreme rear/bottom close-up. From 10.8–12.7 s, use approximately 120–145 mm at f/7.1–f/8 for a grazing macro of the rear cooling fins and integrated folding mount, allowing repeating parallel fins to fill the upper portion and mounting fingers, hinge construction and screw openings to fill the lower portion while the camera tracks extremely slowly forward/downward or performs a tiny orbit; move a bright white strip reflection across the ribbed structure to communicate precision engineering without changing the black product into silver. Around 12.7 s, rotate through a short directional blur back toward the front. From 13–14.7 s, show the complete camera centered in a premium front three-quarter hero view using approximately 75–90 mm, with the square lens upper-right, front button left of it and blue GoPro branding along the lower front, performing only a subtle push-in and a few degrees of floating rotation while narrow highlights define the housing against black. From 14.7–15.5 s, gradually remove the frontal illumination while rotating the camera toward a nearly edge-on side profile, allowing the lens, logo and body details to disappear until only one thin vertical silver-white rim remains. From 15.5–16.67 s, continue reducing that final rim light until the action camera becomes almost completely invisible and the frame resolves to pure black, holding until the exact end with no added end-card text. Preserve the reference’s continuous rotational and motion-blur transition language between key product views instead of replacing it with obvious wipes or generic dissolves. Keep directional blur physically linked to camera/product rotation and never smear or duplicate branding randomly. Add restrained premium technology sound design: deep low ambient drone, soft precision servo/air movement during slow floating rotations, layered mechanical separation sounds during the exploded sequence, subtle metallic micro-whooshes during rotational transitions, quiet electronic/control texture near the top-display shot, a faint optical sweep during the lens macro, low mechanical resonance during the heat-sink close-up and a gradual audio fade during the final silhouette. No dialogue or voiceover. Avoid people, hands, helmets, motorcycles, bicycles, surfboards, drones, outdoor environments, water, snow, landscapes, extra mounts or accessories, cables, tables, stands, visible supports, subtitles, text overlays, UI, watermark, incorrect GoPro branding, misspelled “11 BLACK MINI,” added front display, enlarged lens, altered lens housing, missing status display, altered shutter button, missing orange/red ring, inconsistent heat-sink fins, duplicated mounting fingers, warped body panels, uncontrolled exploding parts, component clipping, gray studio backgrounds, colored neon light, heavy bloom, lens flare, chromatic aberration, fisheye camera distortion, handheld shake or chaotic spinning.