AI Fragrance Product Animation Using Seedance 2.5

Create a 12.83-second vertical 9:16 ultra-premium photorealistic CGI luxury-fragrance product film using the uploaded/reference BOHOBOCO JASMINE WHITE LEATHER PERFUME bottle as the strict hero-product reference. Preserve the exact clear rectangular glass bottle geometry, thick transparent glass base and sidewalls, white rectangular front label, exact BOHOBOCO branding, JASMINE WHITE LEATHER and PERFUME typography, reflective silver/chrome neck and atomizer construction, large matte-black rectangular cap, cap proportions, materials, bottle scale, edge bevels and every visible packaging detail throughout every shot; never redesign, recolor, simplify, stretch, compress or distort the product. Render at 30 fps using a virtual full-frame camera with 70–150 mm equivalent focal lengths, 1/60 s shutter, ISO 100–200, 5000–5400 K white balance and f/5.6–f/8, physically correct subtle motion blur and perfectly stabilized robotic movement. Create a seamless warm gray, taupe and cream studio gradient with a pale halo behind the bottle and darker vignette edges, maintaining a restrained palette of transparent crystal glass, white label, polished chrome, matte black and warm neutral gray, allowing only subtle physically plausible rainbow dispersion along thick glass edges. From 0–1.73 s, show the complete capped perfume bottle upright and perfectly centered, initially small with generous negative space, using 80–90 mm at f/6.3 and a smooth straight dolly-in while a huge diffused front-left key, soft right fill and central background halo create clean white reflections and subtle prismatic highlights; hard cut at 1.73 s. From 1.73–2.73 s, use a 120–135 mm frontal label macro and slowly push closer while BOHOBOCO, JASMINE WHITE LEATHER and PERFUME remain exact, crisp and completely stable, with transparent faceted glass framing the label; hard cut at 2.73 s. From 2.73–4.00 s, switch to a 125–150 mm extreme macro of the bottle neck, chrome atomizer and underside of the matte-black cap; animate the cap lifting vertically upward in a precise aligned mechanical path, gradually exposing the complete silver atomizer and circular recess underneath the cap while the atomizer remains completely fixed, using tiny upward camera tracking and controlled chrome reflections; hard cut at 4.00 s. From 4.00–6.00 s, return to a wider 75–85 mm shot with the cap back on and the entire perfume bottle floating slightly tilted in zero gravity against the neutral studio, slowly translating and rotating with physically believable inertia while keeping the label recognizable; allow slightly increased movement near 6 seconds with subtle motion blur, then hard cut. From 6.00–7.83 s, create a controlled temporal motion-echo sequence where the capped bottle travels along a curved arc while approximately 4–6 evenly spaced previous positions remain behind it as progressively more transparent afterimages; preserve identical bottle geometry and branding in every echo, keep the lead bottle opaque and dominant and create a clean fan-like sequence rather than random duplication; hard cut at 7.83 s. From 7.83–9.47 s, show the uncapped bottle floating diagonally using 85–100 mm, silver atomizer exposed and label facing camera, while the camera slowly pushes inward and the atomizer releases a refined fragrance mist beginning as a fine spray and expanding into a broad cloud of tiny semi-transparent droplets across the upper-left and upper-center frame; make the spray physically plausible and delicate rather than smoke, powder or large water droplets, then hard cut at 9.47 s. From 9.47–10.80 s, cut to a 130–150 mm extreme macro of the reflective atomizer and faceted glass bottle shoulder, using a low three-quarter side perspective and an ultra-slow slider/orbit movement across the polished nozzle while residual mist fades behind it and subtle prismatic glass highlights remain controlled; hard cut at 10.80 s. From 10.80–11.6 s, return to the uncapped floating bottle using 80–95 mm while the exact matte-black cap descends vertically from above in perfect alignment and seats cleanly over the atomizer with no collision, bounce, clipping or deformation as the bottle subtly rotates toward a frontal upright orientation. From 11.6–12.83 s, hold the complete capped bottle centered upright and execute a smooth straight dolly-out, allowing the product to gradually become smaller and visually mirror the opening composition, ending with generous negative space and no added text. Use clean hard cuts around 1.73 s, 2.73 s, 4.00 s, 6.00 s, 7.83 s, 9.47 s and 10.80 s. Use restrained luxury-fragrance sound design with deep ambient tone, delicate glass resonance, subtle cut whooshes, quiet mechanical cap movement, spatial motion-echo sweeps, a refined atomizer click, fine airy spray texture and a soft tonal resolve during the final pullback. Avoid people, hands, flowers, ingredients, tables, podiums, rooms, additional bottles outside intentional motion echoes, subtitles, UI, watermark, altered branding, misspelled label text, bottle deformation, wrong cap shape, gold atomizer, cap clipping, smoke-like fragrance spray, giant droplets, excessive rainbow effects, lens flare, heavy bloom, fisheye distortion, handheld shake or chaotic movement.